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I haven’t had a blog rant for a while so here goes, todays topic is Your Academic Footprint.

In an age when your online presence is arguably as important as your offline being when it comes to career progression, how can you maintain academic credibility when websites for projects disappear?

The inspiration for this post is personal. I have worked on a number of short to medium lived archaeology projects where amongst the many outputs was often a website. Huge amounts of time, effort and money were spent on these projects and the websites they created represented not only archaeological knowledge for all to access but a snapshot of the thinking and methodology of the time.

Screenshot of old VERA website

Screenshot of old VERA website

Case study number one comes from the University of Reading and the Silchester project. The Silchester website was first created in 2001 and consisted of a few static pages. They did the job, containing practical information on how to get to the site and what students might expect from the field school. I joined the team in 2007 as the Archaeological Project Assistant on the Virtual Environments for Research in Archaeology (VERA) project. Part of my work involved redesigning the website and so, in time for the 2008 fieldschool, the project ended up building one in Drupal. It introduced lots more archaeological content, you could download old site reports, browse through photo galleries, use embedded features like weather and map widgets, share interesting content to new and exciting places like Twitter and Facebook (!), leave comments, ask questions and generally immerse yourself in the life of the archaeologists involved with the project. The audience for this new website included protective students, current students, staff, researchers from around the world – it was widely hailed as an informative and pretty website which did a great job of showcasing the archaeology.

The redesigned site even won a BAJR Heritage Web Award in December 2008! BAJR gave the following reasons:

The Silchester site won the award for the clean, easy to use design, the wealth of information available. The additional information is constantly changing, tapping into web 2.o and allowing the user to feel that this is a dynamic website, such as the well written blogs, images and finds gallery. The Virtual Environments for Research in Archaeology section, is a welcome addition, informing people a new direction in technology and archaeology, and inclusive of researchers and professionals as well as the public, who are well catered for on the site. A site to emulate.

Old Silchester website

Old Silchester website, c2001

More than that though, it also happened to showcase my flair for website design, my skills in HTML, PHP, and Javascript coding and growing experience with the new emerging social media world (it was back in 2008 after all!). I put the link on my CV and in post-Silchester interviews it was obvious that the interviewers on some of the panels had looked at and loved the site.

I am currently on an archaeological career break. Becoming a mummy a few years ago means I’ve had to delve into the world of the more stable workplace. I love my current job and I can see myself in it for another wee while, but not forever. I want to return to Archaeology and Heritage in the next few years, and if it had any sense, that world would want me and my skills and experience back. I keep an up to date CV in case I see something and, here speaks the digital curator in me, I periodically check the links it contains.

As you can see if you visit vera.rdg.ac.uk. or silchester.rdg.ac.uk, most of my work is now gone. VERA has been replaced by a pile of 404 signs or timeouts. The Silchester website still exists but in a very different form – it has in my eyes sufffered, but others may disagree. The website has now been got by the branding people at University, and imposing the corporate look and structure. Websites taken down at some point after the project ended, but not straight away – lulling readers into the false sense of security that they would be there next time you wanted to look. No warning given, I suppose the people doing the unplugging wouldn’t know who to warn. The end result is that there is very little to show for years of my work, other than the memories that lie with some colleagues that “Oh yes, Emma. She did a good job of that she did.”.

If you look closely, there is some evidence that these websites aren’t just a figment of my imagination. The Silchester YouTube channel (including my old https://www.youtube.com/user/SilchesterExcavation) and Twitter account are still going strong, for example.

Contrast this with somewhere else I have worked, the Archaeology Data Service and Internet Archaeology. Perhaps unsurprisingly, given what they do, they have proof for all to see that I have worked there and done *stuff*. You can go to the staff pages and my name is still there, (although since I first though about writing this post, even the acknowledgement pages of IA have changed!), you can see the staff updates page to see where I went next, I am thanked by authors of papers etc. The result is that if a potential employer really wanted to check my work, they could make a good start just with a simple web search.

I know that change is inevitable, and that not all project websites can be maintained forever, but I’m struggling to see a solution. Short of attaching print outs of screenshots or old excavation reports to my cv, or directing potential employers to look at the wonderful wayback machine, how I can I prove these things ever existed? Do I take the URLS out of my CV? I guess that at the end of the day, my web footprint isn’t everything and my CV should be enough to convince people to give me an interview (well, you’d hope!) but it would be nice to have a but more substance to things. Thankfully, ScARF is still going strong and with this now being the Year of Archaeology and DigIt! 2015 somne of my more recent work will hopefully be around for a while.

Thoughts? Comments? How does this affect you? Is Archaeology and Heritage particularly susceptible because of the way projects are funded?

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So after my blogging hiatus, what better way to start back than with some toddler based fun? I had written the weather for the day on Sproggle’s blackboard, along with a picture of a rain cloud. I thought that was a nice thing, a silly mummy thing to do on a rainy morning.

image

What can you spot that isn’t quite right? That’s right. You see the lightning? The jagged spikes of fiery death raining down on the people from the cloud? My son did that. A commentary on mummy’s art? A show of evil villan ness? Who knows but it is funny.

This week is British Pie Week, I didn’t make it up – http://www.britishpieweek.co.uk/ 

I heard of this because it was trending (unpromoted) on Twitter. Further investigation showed that it is made up and sponsored by Jus-Rol, the pastry manufacturers. The problem I have with this is NOT that a company is using an everyday dish to promote its product, but that inexperienced cooks might think they need a particular brand of pastry to make a pie – nonsense! Go experiment people! There are plenty of excellent recipe books out there in print and on the internet.

I’m buying into the spirit of the week anyway, but not with readymade pastry. I’ll be reading the Hairy Bikers Perfect Pies tonight and seeing what takes my fancy. I love pies (if you know me, this is evident at the waistline) so any week that promotes healthy and interesting cooking is fine by me, made up celebration or not!

I read a news article the other day which pondered why Harry Potter didn’t just use Google.

The book was published in 1997, so presumably written a few years before that. The article asks why, when faced with a search for some information, Harry had to struggle through the library to find a book. Now, I’ve never read the Potter books so i have no idea how arduous a task this was but I get the impression death and disaster were imminent. The author of the article suggests that younger Potter readers, brought up in the information age, would google what Harry needed rather than have to go through the library trauma in the first place. The point is that Hogwarts wouldn’t have had internet access in that day and age and that Google didn’t really take off until the year after the book came out.

What does this have to do with archaeology journals? Well, I miss my equivalent of Hogwarts library. Yes, I have a very good ‘local’ library (National library of Scotland) and am also a member of the National Museums Research Library and can borrow books and journals from both. I also have excellent broadband at home so the world of archaeological research should be mine for the taking.

But it isn’t. Without the backup of institutional subscriptions many journals are out of my reach. I’m not the first person to realise this but work at the day job has recently made me more aware than ever of what I could be missing out on.

Spending the last few weeks reviewing bibliographies, checking for misplaced commas and references for thousands of entries, I have had my eyes opened to the many and varied sources used for discussing archaeology in Scotland today. There are the usual suspects one might expect (Proceedings of the Society of Antiquaries of Scotland, Antiquity etc) as well as more specialised reading and some rare gems – mostly local history society transactions and self published monographs.

Most of them are subscription only, not as many are open access. Although this situation might be changing for some (find a very good list here) it is unrealistic to expect that verything will become free to view, nor should it – journals cost money to produce and will always need people to work on them. Obviously, there is a difference here between leviathans of publishing such as Elsevier making millions and smaller more independant publications who are still peer reviewed and of excellent quality but who barely make a profit. Arguably, if it wasn’t for the whole impact factor issue more journals could afford to be open and reach more people, I could go on.

My point is, that in order to subscribe to all the journals I want to for the next year say, I will need to spend at least £350 (but that includes my New Scientists! :p). As I said, I don’t mind and actually is really isn’t that much when you consider everything. However, this is only for a few core publications (Internet Archaeology, Proc Soc Antiq Scot, JRS, Britannia and some others). I’d like the opportunity to read more, but when individual articles can be up to $20 it does sort of put you off. I’m lucky, given that my interests are databases, publication of archives and Romans – if I was into science it’d be much much more costly (see this post for example.)

I guess if i didn’t want to broaden my mind, keep up to date with archaeological goings on and think about future jobs and maybe post docs I could just not subscribe at all, but where would the fun be in that?

  1. The first part of my Christmas shopping is done and was pain and hassle free, even (dare I say) fun. Boots had an awesome points offer on today, so not only did I save money on the fabulous 3 for 2 gifts, but got money back in points as well! Most importantly, though, some people will now be receiving excellent christmas gifts that I didn’t even have to queue for.
  2. I discovered that I have a new favourite smell – Philosophy Cherry Christmas Bath. If anybody is stuck on what to get me for Christmas and is reading this then you have your answer. The philosphy range is amazing, and includes gingerbread, marshmallow and eggnog scented goodies – highly reccomended.
  3. I finished some knitting I’ve been meaning to do for a while. It’s a bit secret so I can’t put pictures up yet but a couple of the ladies at knitting group are expecting bambinos so I’ve been making blanket squares. I love the feeling of knitting something and knowing that a cute wee sproggle will get all nice and comfy. I also love that the patchwork blanket will be truly unique, since all of us contributing are only limited by the size of a square and the need for it to be machine washable, otherwise the pattern possibilities are endless. The stitch dictionary I bought last year has been very helpful!

*do a happy dance*

I realised I have 102 projects on Ravelry, so here, for you knitting folk, is a run-down. End here if you aren’t interested in knitting!

Works in progress

  • 1 of these is a long term blanket and unlikely to be finished anytime soon.
  • 1 just needs ends sewn in and blocked.
  • 1 just needs some embroidery.
  • 1 just needs a photo but the yarn isn’t playing nice with the camera.
  • only 2 need more knitting done!

Most favourited by others
Most of my projects aresn’t favourited by more than 1 person, if at all, so special mention to the following:

Personal achievements this year include a few lace shawls (for my sister and for a friend), some socks and my first felted project.


I’ve a few big plans for knitting for the rest of this year, and I feel like I’ll need to sign up to a few challenges on Ravelry before the year is out – any ideas?